The Magic of the Draughstman:
Images of the Occult

The lines between art, science and magic are explored in a new exhibition at Christopher Bishop Fine Art. The Magic of the Draughtsman: Images of the Occult presents nearly 20 Old Master and early modern drawings from the 16th to the beginning of the 20th century. Many of the works are being exhibited in New York City for the first time. A fully illustrated online catalogue accompanies the exhibition. From witches and satyrs to angels and mermaids, the exhibition surveys pre-modern views of the occult, mysticism, and alchemy, topics that often neither science nor philosophy can fully address. Among the highlights are images from mythology, religion, and Shakespeare, which have inspired artists through the ages.

Jacopo Ligozzi (Italian 1547 - 1627), The Contest of Pan and Apollo, c. 1590

Jacopo Ligozzi (Italian 1547 - 1627), The Contest of Pan and Apollo, c. 1590

Giulio Romano (Italian 1499 - 1546), A Satyr, a Woman, and a Decapitation, 1520

Giulio Romano (Italian 1499 - 1546), A Satyr, a Woman, and a Decapitation, 1520

Arthur Rackham (British 1867 - 1939), The Tempest, 1926

Arthur Rackham (British 1867 - 1939), The Tempest, 1926